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“All I feel,” croons Rehbein, “is that I need you to blossom out, blossom out, blossom out.” The next song, ‘Ego,’ features similarly repetitive lyrics, albeit with a slightly more upbeat feel reminiscent of Vampire Weekend, energised by polyphonous guitar lines and wood-block percussion. With an energising start to the first track, ‘Blossom,’ the refrain of the titular song then backs off again, exposing only faint background vocals and a single acoustic guitar melody. “Alternation between expected and unexpected, acoustic and electronic – even a juxtaposition of simple and heavy production – is what both characterises and distinguishes the group’s newest album from their earlier work” And while Blossom remains loyal to the winning formula of the hits on Sadnecessary, it features a refreshing balance between upbeat and mellow, simple and complex. This alternation between expected and unexpected, acoustic and electronic – even a juxtaposition of simple and heavy production – is what both characterises and distinguishes the group’s newest album from their earlier work.
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Within the first 30 seconds of the album we are abruptly taken from an unusual building riff to the band’s classic sound: thumping drums, vigorous guitar strumming, acoustic noodling and the gritty vocals of lead singer Clemens Rehbein. This is the titular opening of Milky Chance’s second album, Blossom. Out of nothing, a crescendo of synth seventh chords and off-beat percussion grows slowly, until the guitar and vocals suddenly all tap in at once, interrupting this seemingly unrelated prelude with a dynamic pulse of bass drums and strummed chords.